Godard: ‘I get high staring at posters in the streets. I get high on people.’

Note: Godard who has just finished shooting his lates film One Plus One, agreed to meet Hermine Demoriane for this interview but would not consent to it being recorded. “What you don’t remember, make up”, he said. Excerpts from the interview follow.

We have a lot of professional filmmakers who would be better off doing something else.


HD: You have said everybody should make movies.

JLG: No. I did not say that,  I said more people should. There are not enough films. Look, there is no black cinema at all. Stokely Charmichael should make a film. But he can’t. Even if Mao sent him the money he would not find a distributor. There aren’t any films from the workers, either. I’d like to hand over my unit, lock, stock and barrel and let some of them get on with it. We need films FROM people, not FOR them. In the meantime, we have a lot of professional filmmakers who would be better off doing something else.

HD: What do you think of Claude Givaudan’s experiment?

JLG: Very good. You should be able to go into a shop and buy the latest Godard, take it home and project it with no more fuss than reading a paperback. In two years time we may be putting cassettes of our own films into TV sets.

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HD: You have said England was an American colony. Does this apply to its films?

JLG: There are no English films. There are American films set in London.

HD: What do you think of American cinema, then?

JLG: The most conservative in the world. It works on worn-out formulas totally irrelevant today. Its only aim is to lift people out of their environment for a moment and persuade them the world is a beautiful place so they keep quiet and allow the system which begats such films to continue.

HD: You didn’t even like Bonnie and Clyde?

JLG: Average. Very average.

HD: And the cinema in France?

JLG: Very conservative, too.


HD: What do you reckon is the way to break the monopoly of the big companies?

JLG: Either drop a bomb or them or buy them.

HD: You have just made a film for French TV. Would you like to do more?

JLG: I see no difference between cinema and TV films. I would like to make more, yes, but I doubt if they’d get shown. TV is governmental, and not only in France. Governments are always clever enough to take it over. Consequently TV would be the same in Cuba as it is in Greece. I think opposition parties should have an equal influence.

HD: Do you believe that hippies could be a force to purge Capitalism, as the Red Guards purged Soviet Communism?

JLG: The hippies will do nothing until they are politised.

HD: They need a Mao?

JLG: Not necessarily. Only to get educated politically.

HD: The demonstration at the first night of the Green Berets proves that something is burning.

JLG: Yes, that was excellent. I wish someone had told me, I would have gone.

HD: Do you think the uprising could come from England eventually?

JLG: Yes, it is good here because there are plenty of people with money and open minds. But alas, they don’t use their minds, and they are usually corrupted by money. People could do things but won’t. Look at the Beatles for instance. And Peter Brook. He should have put his Marat/Sade outside Buckingham Palace.

HD: Are you aware to have prophested Sorbonne in La Chinoise?


JLG: No. Prophesy is a mild form of fascism.

HD: What about your next film?

JLG: It is going to be produced and shot in America. That’s all I know about it. Except the title. I’ve got that. An American Movie.

HD: Have you ever taken acid?

JLG: No. Not interested. I get high staring at posters in the streets. I get high on people.

HD: Exactly what my mother says. Thank you.


*Interview with Jean-Luc Godard by Hermine Demoriane, published in IT (International Times) no. 39, 6-19 September 1968


Mr. Robot as if it’s real life

This is just a test. An idea of being a blogger who in my case is actually a masked aspiring writer always sounded appealing. This is definitely not the first time I started writing online, but my lack of discipline usually catches up with me and before you know it, it’s  winning in the first third of the race while I’m breading heavily. It is a feeling very similar to smoking a couple of cigarettes on an empty stomach (idiot) first thing in the morning and then running to catch a bus because you didn’t leave the house on time because you were smoking. All in all,  I don’t even get to see the finish line.

Needless to say, I am a different person now (I just fell of my chair because the lie punched me in the stomach) and I after 60 seconds of googling decided to open my account here on WordPress because, honestly,  it was the first free blogging platform I was offered. I like to write, but only on special occasions and when I do, I write stuff down in a notebook, place the notebook somewhere where it will never be found and forget about it after a couple of ‘diary entries’. After a month or two, I get a new notebook and start again. Never give up.

So, this will be my diary where I will share my thoughts on everyday life combined with my state of mind influenced by the movies, TV shows or even music that I’ve consumed lately. Escapism is my favourite mind set, so there are a lot of movies (cinema is my first not -so -secret passion) and other pop cultural products that I embrace gladly with my arms open widely.

Lately, I started watching the second season of Mr. Robot, the show that makes your mind race even after you binged watched on it’s episodes. Don’t worry, I will not talk about the plot, just share a few sentences of my impressions. The series perfectly sums up the struggles of our generation, but not in an ‘economically challenged young individual’ kind of way, but gives you a broader aspect. While doing that, it’s not condescending, you feel like: oh, yeah, I knew that, but there are also stuff you didn’t think about, so it can at least open your horizons a bit. The parts with hacking and different programs they  work in are not close to me (and many of other viewers I believe), so you just have to trust the storyteller I guess while feeling humble in a way. Oh but you can’t really trust the storyteller Elliot because he’s more unreliable than Holden Caulfield. And that’s the beauty of it. Now that I’ve mentioned beauty – the scenes are perfectly thought about, with no complications in the scenery (there are enough of those in the story), minimalism combined with necessary depictions of luxury of the ‘big sharks’ and messy emptiness of Elliot’s world. All of that would be useless without soundtrack that makes uncomfortable scenes get under your skin without you realizing it at first and make your heart pump a little faster, or slow everything down to a point of numbness. Also, a different song in  the beginning makes me put it on my playlist right away.

That’s it for now, excuse my English, I will do a proper grammar check a bit later today.